Saturday, February 28, 2015

Gilad Hekselman 13 Questions

Born in Israel in 1983, Gilad studied classical piano from age 6 and began studying guitar at the age of 9. From age 12 to 14 he performed regularly with the band of a weekly children's television show. He attended the prestigious Thelma Yellin School of Arts, graduating with excellence from the jazz department at age 18. Gilad received the America - Israel Cultural Foundation Scholarship for studies abroad to attend The New School in New York, where he completed his BFA in performing arts in 2008.

Gilad Hekselman, Joe Martin , Jeff Ballard. Photo Derek Branscombe

Gilad Hekselman has been developing a reputation as one of the most promising guitarists in New York since his arrival in 2004. After only a few years this native Israeli has shared the stage with some of the greatest artists in the New York City jazz scene including Chris Potter, Mark Turner, John Scofield, Anat Cohen, Ari Hoenig, Esperanza Spalding, Sam Yahel, Jeff Ballard, Gretchen Parlato, Avishai Cohen, Jeff 'Tain' Watts, Tigran Hamasyan, Aaron Parks and Greg Hutchinson.

Gilad has played all major jazz clubs in New York City including the Blue Note, The Jazz Standard, Dizzy's Club and Smalls. He is constantly touring world-wide and has played most noteworthy jazz festivals including Montreux (Sui), North Sea (Ned), Montreal (Can) & San Francisco (USA).

Gilad is the winner of the 2005 Gibson Montreux International Guitar Competition. He opened for guitar legend Paco de Lucia at the Montreux Jazz Festival in 2006, which led to a string of performances at the IAJE Conference and at Dizzy's Club Coca-Cola in New York.

That same year Gilad released his debut album SplitLife (Smalls Records) recorded with bassist Joe Martin and drummer Ari Hoenig. It received rave reviews from the press as did his second album, Words Unspoken (LateSet Records), recorded and released in 2008 with Joe Martin, drummer Marcus Gilmore and tenor saxophonist Joel Frahm.

In 2009, Gilad recorded three tracks for Walt Disney Records, one of which was included in the record Everybody Wants To Be a Cat (2011). The album features versions to Disney songs played by a top-shelf lineup of musicians including Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwinkel, The Bad Plus and many other jazz legends.


In the spring of 2010 Gilad recorded his third album, Hearts Wide Open, with Joe Martin on bass, Marcus Gilmore on drums and world-renowned saxophonist Mark Turner, a project that Gilad defined at the time as his "best recorded work so far". The record received rave reviews globally and was featured in many Best-of-2011 lists such as New York Times, Amazon and iTunes.
Gilad performs on handcrafted guitars made by Victor Baker.

In April of 2013, Gilad released his fourth album, This Just In, under the JazzVillage label of Harmonia Mundi. Recorded and engineered in New York by Michael Cisneros Perez, the new album features Gilad Hekselman, Joe Martin, and Marcus Gilmore also showcases Mark Turner on three titles.

What do you remember about your first guitar?

For the first few weeks I played my mother's old nylon string guitar, but then I begged my parents for an electric and they got me a red & white Stratocaster replica called Gherson and a Yamaha amp. I played it from morning to evening.

Which was the first and the last record you bought with your own money?

Alan Hampton's Origami For The Fire

Gilad Hekselman - Guitar, Reuben Rogers - Bass, Ferenc Nemeth - Drums

What do you expect from music?

To make me feel something - move me.

Gilad Hekselman Solo @ Shapeshifter Lab, Jan 24 2015

Which work of your own are you most surprised by, and why?

I've done a few solo concerts recently and after listening back I was happily surprised. Playing solo has always scared me, and still does. That's why I've been working on it pretty intensely in recent years. I feel like it's finally starting to come together!

What's the relevance of technique in music, in your opinion?

The way I see it, it should be a tool to express and serve beauty, and not to just express and serve itself.

Petros Klampanis, bass, Gilad Hekselman-guitar, John Hadfield-drums and percussion

What quality do you admire most in an musician?


GH guitar, Reuben Rogers, double bass, Ferenc Nemeth, drums 

What’s the difference between a good instrument and a bad one?

A good one helps you transcend the physical boundary to your full expression. A bad one puts another boundary. A great instrument could mean something very different to each individual so it's about what each person needs and looks for.

Gilad Hekselman: guitar - Mark Turner: sax - Joe Martin: bass - Marcus Gilmore: drums 

What are the challenges and benefits of today's digital music scene? 

Some challenges are: Lower quality of sound. I believe that analog has a way to speak in a more human language. Digital fakes it well, but the feeling is different. One great benefit is that music can travel pretty effortlessly all over the world, and you have massive amount of music at the tip of your fingers. That can be a challenge though, if you get overwhelmed and distracted with the amount of information.

Define the sound you're still looking for. 

It's sound, can't really be defined by words. When I hear it, I know that's it.

John Raymond - flugelhorn , Gilad Hekselman - guitar, Eric Doob - drums

What are your motivations for playing music? 

They change all the time (like most answers that I gave you most probably will...) but basically to express something in me that I can't express otherwise and to make people feel something, experience something, that they can't otherwise. Hopefully something uplifting and inspiring. Making the world a better place one ear at a time.

What is your relationship with other disciplines such as painting, literature, dance, theater ...?

I enjoy graphic art a lot, and do photography for a hobby. I post some photos on my website every once in a while.

Danielle Freeman, voice, Matt Wigton, acoustic bass,  Gilad Hekselman, electic guitar

If you could, what would you say to yourself 30 years ago, about your musical career?

Stay open minded and try not to think in absolute truths - your opinion will change so just stay humble, always be a student.

Which living or dead artist would you like to collaborate with?

Elvin Jones
John Coltrane
Miles Davis

What projects are you working on now and what does the future hold?

I am releasing a new trio album in September 2015 with Joe Martin and Marcus Gilmore. Also Jeff Ballard is sitting in on a couple of tunes including one double-drum one. The album is called Homes and it's an exploration of my musical, as well as geographical, homes.



Selected Discography as solist